The relatively rare Seeburg J Solo Orchestrion is often considered to be one of the most visually beautiful coin-in-the-slot pianos ever conceived and built, partly because it enjoys a spectacular set of art glass panels, which are set into an artistic and well crafted case. The piano in this instrument, #8846, probably manufactured in the year 1913, was made by Edmund Gram Piano Company, of Milwaukee. This piano manufacturer was an early supplier of pianos to the Seeburg Company. This model J keyboard orchestrion, currently in the collection of Mark Yaffe, Florida, is one of two such specimens once owned by Charles (and Sue) Bovey.
The better known of the two Bovey collection Seeburg J orchestrions stood by the front door of the Bale of Hay Saloon, Virginia City, Montana, and had a Deagon Una-Fon sitting on top of it. The other Seeburg J, originally from the Butte Piano Company, in Butte, Montana, is the one used for this recording. It was also in the Bale of Hay Saloon, but was later moved to the Nevada City Music Hall in Nevada City. During the time the Bovey's son, Ford Bovey, had control over the Bovey Restorations he took this particular Seeburg J (along with a few other things) to his home near Flathead Lake. Upon his death his estate was auctioned and the auction included this Seeburg J orchestrion. Most of the Bovey collection still remains in Virginia City and Nevada City, which is now owned by the state of Montana. However, quite a few instruments in the collection were forever lost when the Bale of Hay Saloon suffered a major fire years ago.
Restoration of interior mechanical components for this prized Seeburg J orchestrion were completed in July, 2003, by Reblitz Restorations, Inc., Colorado Springs, Colorado. The cabinetry was restored and refinished by John and Steven Gonzales, Pico Rivera, California. Playing the wide Style H music roll, which are essentially QRS Music Roll Company arrangements adapted to the styles H and J orchestrions, the instrumentation of the Seeburg Style J Solo Orchestrion consists of the following: Piano, with mandolin attachment; 68 pipes (one rank of 34 wooden violin pipes and one rank of 34 wooden open flute pipes); and trapwork consisting of a triangle and castanets. The two pipe ranks have solo capability due to an automatic register control that can turn the piano treble range on or off.
The high quality original digital direct to CD-ROM source recordings were made in April of 2004 by Art Reblitz. Motor buzz and pump noise typical for large Seeburg orchestrions was minimal, due to the superb restoration by Reblitz Restorations, Inc. Thus, during the preparation of the CD mastering data these extraneous noises were easily eliminated using precisely tuned noise reduction technology, and it was done without interfering with the musical qualities one little bit. This then gives the listener the opportunity to enjoy Seeburg J music without the usual distracting pump thumping and other mechanical noises usually present, thereby revealing tonal delicacies and expressive accents in the music that might otherwise be masked and unrecognizable.
Good recordings of Seeburg J orchestrions seem to be rarer than the instruments themselves, which probably makes these two volumes of Seeburg J music the most extensive and comprehensive collection ever assembled. The musical selections consist of popular fox trots, one-steps, waltzes and a few marches, with the rolls ranging in date from circa 1912 up through late 1926. The selections are grouped and placed on each CD in chronological order according to the year in which the music roll was released. This gives the listener an opportunity to hear and compare the progressive evolvement of musical and melodic tastes over time, as well as how the music roll arrangers improved their skills, too. For anyone who enjoys the sound of American "nickelodeon" music these two CD's will undoubtedly be a treasured addition to their automatic music collection.
| Seeburg Style J Solo Orchestrion | ||||
|---|---|---|---|---|
| SEE-JSOY-V1 (Volume 1) 30 Tracks -- Total Time: 55:18 | SEE-JSOY-V2 (volume 2) | |||
| From roll SSS-39 (circa 1912) | From roll H-412 (July 1918) | |||
| 1. | The Dazy | 1. | I'll Think of You | |
| 2. | Baby Hands | 2. | Uncle Sammy March | |
| 3. | Sit Down, Sit Down, Sit Down, You're Rocking the Boat | 3. | There's a Little Blue Star in the Window and it Means All the World to Me | |
| 4. | I'm Crazy About a Ragtime Minstrel Band | 4. | My Dream Girl, Syncopated Waltz | |
| 5. | Rag-a-Muffin Rag | 5. | So Long Sal, One-Step | |
| 6. | Delia, Are You Listenin'? | 6. | Can't Yo Heah Me Callin' Caroline? | |
| 7. | The Minstrel March | 7. | They Want It Again, Fox Trot | |
| 8. | I'm Afraid I'm Beginning to Love You | 8. | My Little Ramblin' Rose, Ballad | |
| 9. | The Wiggle-a-Wee Dance | 9. | Want a Daddy Like You, Fox Trot | |
| 10. | I'm Going Back to Broadway | 10. | When You're Lonesome for Someone Who's Lonesome for You, Waltz | |
| From roll H-354 (1917) | From roll H-SR-2 (1926) | |||
| 11. | Sailing Away on the Henry Clay, One-Step | 11. | Yearning, Fox Trot | |
| 12. | Sousa's Great Band March | 12. | Because of You, Fox Trot | |
| 13. | Never Forget to Write Home, Jass One-Step | 13. | When the One You Love Loves You, Waltz | |
| 14. | China Dreams, Jass Fox Trot | 14. | Bagdad, Fox Trot | |
| 15. | My Lady Fair, Waltz | 15. | Indian Love Call, Fox Trot | |
| 16. | That Funny Fox Trot, Glide | 16. | Nightingale, Waltz | |
| 17. | My Sweet Egyptian Rose, One-Step | 17. | Rose Marie, Fox Trot | |
| 18. | Chicken Walk, Fox Trot | 18. | Swanee Butterfly, One-Step | |
| 19. | Send Me Away with a Smile, One-Step | 19. | Charleston, Fox Trot | |
| 20. | Romin' Around, Fox Trot | 20. | I'll See You in My Dreams, Fox Trot | |
From Terry Borne composite roll #1 | From roll H-1000 (late 1926) | |||
| 21. | Ma, He's Making Eyes at Me, One-Step | 21. | Jolly Coppersmith, March | |
| 22. | "Gimme" a Little Kiss, Will Ya? Huh?, Fox Trot | 22. | unknown -- Fox Trot | |
| 23. | Yes, We Have No Bananas, Fox Trot | 23. | Freckles, Fox Trot | |
| 24. | Yes Sir, That's My Baby -- adapted for the Seeburg H by David Junchen from a Weber Maesto roll; originally arranged for the Maesto by Gustave Bruder from a 1925 American dance band stock arrangement by Ted Eastwood | 24. | Baby Blue Eyes, Fox Trot | |
| 25. | Down Yonder, One-Step | 25. | Tomorrow, Fox Trot | |
| 26. | Barney Google, Fox Trot | 26. | Blue Danube Blues, Fox Trot | |
| 27. | Sweet Georgia Brown, Fox Trot | 27. | Carolina in the Morning, Fox Trot | |
| 28. | Way Down Yonder in New Orleans, Fox Trot | 28. | Nellie Kelly, Waltz | |
| 29. | Who's Sorry Now, Waltz | 29. Way Down Yonder in New Orleans | ||
| 30. | Swingin' Down the Lane, Fox Trot | 30.unknown -- March | ||
Listen to the Seeburg J play: